Monday, September 13, 2010
Man. This video.
I saw this video a while ago, and I'd been meaning to post about it. It's one of those videos that you never forget. It's also one of the few music videos that has actually scared me. It is directed by Eric Wareheim (and Fatal Farm worked on it!), which is strange. I guess I never really knew what he was capable of because of what he does with Tim and Eric and most of his other videos, but man. This is something. Seriously, watch it.
It looks so good. And it is so much more than just a shock I think. I can't explain it, but I know that I like it. There are parts of Tim and Eric that are creepy, and this video has something that I can't explain that I love in scary movies. What I'm saying is, Eric Wareheim, direct a horror film. Just think on it.
It looks so good. And it is so much more than just a shock I think. I can't explain it, but I know that I like it. There are parts of Tim and Eric that are creepy, and this video has something that I can't explain that I love in scary movies. What I'm saying is, Eric Wareheim, direct a horror film. Just think on it.
Sunday, September 12, 2010
Jenny and Johnny
Not a super exciting update, but I seriously can't stop listening to this song. The whole album is good, but this song is really somethin' special. Recommended if you like She & Him, but wish they were less poppy/more jangly and also more about sex.
Monday, September 6, 2010
Going the Distance
It's no secret that I love romantic comedies. I'm pretty sure I've started other blog posts with that exact sentence, so it's also no secret that I know it's not a secret. Ever since I saw the trailer for Going the Distance, I knew I had to see it as soon as possible. Rarely do movies come out that are so made for me.
Firstly and most importantly, I LOVE Drew Barrymore. I love everything about her. Mostly I love that, no matter what movie she's in, it seems like she picked out her own wardrobe. Her clothes are so wacky! She dresses like a five year old whose mother is like, "I'm tired, wear what you want" and so she just piles on the sparkle and camo with stripes or whatever.
All of the other things I love about this movie are summed up really well in Owen Gleiberman's EW review, which you can read here if you so wish. I agreed wholeheartedly with the Gleibs (as I do about half the time) when he wrote this:
He's right; this is VERY much like an 80's romantic comedy. The montages are so montage-y it's almost laughable (I mean, they are dancing on a beach!), which I really like. If you're going to do a montage, you might as well go whole-hog and just do it up right. There's no such thing as a subtle montage, anyway.
Going the Distance was also a lot more realistic than most romantic comedies, which is both a pro and a con. H did not like that the movie's humor skewed blue (this movie is like 95% made up of dick jokes) because he thought it seemed out of place in what he called a "chick flick." I didn't agree though, and not just because I don't use the term chick flick (barf, sorry). The characters talked to each other basically like real people talk to each other. My friends and I spend about 50% of our time talking about sex and the other 50% talking about our jobs, and I think that's pretty typical, so I found those relationships to be accurately depicted. The relationship between Justin Long and Drew Barrymore's characters was believable, too, and not just because Justin Long's character reminded me so much of H (without all the womanizing).
I loved this movie. It has some of my favorite romantic comedy conventions (including the whole "How can this person have their brilliant career AND the love of their life??" conundrum) while also being genuinely funny and believable. And I can't leave out the importance of Jason Sudekis, Charlie Day, Jim Gaffigan, and Mike Birbiglia, who all took the movie to the next level (the next level being the funnier one).
And MOST importantly, one of Drew Barrymore's New York friends is played by Natalie Morales, the girl who plays Aziz's girlfriend on Parks and Rec. H tried to tell me I was wrong but I knew I was right. Suck on that.
Firstly and most importantly, I LOVE Drew Barrymore. I love everything about her. Mostly I love that, no matter what movie she's in, it seems like she picked out her own wardrobe. Her clothes are so wacky! She dresses like a five year old whose mother is like, "I'm tired, wear what you want" and so she just piles on the sparkle and camo with stripes or whatever.
All of the other things I love about this movie are summed up really well in Owen Gleiberman's EW review, which you can read here if you so wish. I agreed wholeheartedly with the Gleibs (as I do about half the time) when he wrote this:
Going the Distance is a light and tasty morsel of a romantic comedy in which two smart, funny, and basically sweet people try to conduct a cross-country relationship. The movie, which sounds like it was spun out of an advice column, is very high-concept, except that it has a gently authentic tone, a flavor rooted in its affection for the shrewd innocence of the 1980s. For the first 15 minutes or so, I actually wondered if it was set in the '80s....After two love montages set to the Cure's ''Just Like Heaven'' and the Pretenders' ''Don't Get Me Wrong,'' I began to think: Between this feel-good '80s jukebox and the fact that no one in the film has yet sent a text message, which year is this?...As it turns out, Going the Distance is quite contemporary, but the wistful retro vibe is no accident. The director, Nanette Burstein, is...out to take us back to an earlier vibe — to a time when pop music was optimistic, and so were movie romances. Erin and Garrett don't just fall into glorified lust. They fall in love because they like each other's company.
He's right; this is VERY much like an 80's romantic comedy. The montages are so montage-y it's almost laughable (I mean, they are dancing on a beach!), which I really like. If you're going to do a montage, you might as well go whole-hog and just do it up right. There's no such thing as a subtle montage, anyway.
Going the Distance was also a lot more realistic than most romantic comedies, which is both a pro and a con. H did not like that the movie's humor skewed blue (this movie is like 95% made up of dick jokes) because he thought it seemed out of place in what he called a "chick flick." I didn't agree though, and not just because I don't use the term chick flick (barf, sorry). The characters talked to each other basically like real people talk to each other. My friends and I spend about 50% of our time talking about sex and the other 50% talking about our jobs, and I think that's pretty typical, so I found those relationships to be accurately depicted. The relationship between Justin Long and Drew Barrymore's characters was believable, too, and not just because Justin Long's character reminded me so much of H (without all the womanizing).
I loved this movie. It has some of my favorite romantic comedy conventions (including the whole "How can this person have their brilliant career AND the love of their life??" conundrum) while also being genuinely funny and believable. And I can't leave out the importance of Jason Sudekis, Charlie Day, Jim Gaffigan, and Mike Birbiglia, who all took the movie to the next level (the next level being the funnier one).
And MOST importantly, one of Drew Barrymore's New York friends is played by Natalie Morales, the girl who plays Aziz's girlfriend on Parks and Rec. H tried to tell me I was wrong but I knew I was right. Suck on that.
Tuesday, August 24, 2010
This blog post had to happen.
Netflix's recommendations are a mixed bag. Sometimes they recommend categories that are so right ("Romantic Comedies Starring Goldie Hawn" is specific, but very sculpted to my personal interests!), and sometimes they just do not get me. I mean, no, the fact that I like The Devil and Daniel Johnston does not mean that I will watch a documentary on Anorexia. And I definitely don't want to see Did You Hear About the Morgans. But recently, for the first time, Netflix recommended a movie I'd never even heard of but knew I would love. This trailer pretty much describes the plot, whether or not you should see it, and how necessary the movie is.
After I watched this, I had no choice but to make it number one on my queue. I mean, if Ice-T says I must see it, who am I to disagree? I don't know if this movie had to happen...it certainly wasn't well made, and doesn't seem to be particularly passionate. I'm so glad I saw it, though. For one thing, the rapping was terrible. It's all very "Rippity rap rap rap raptastic!" Also, the lead actor is Mario Van Peebles, who is in charge of having the least raptastic name ever as well as not doing any actual rapping, because he was overdubbed by Ice-T (according to IMDB). Ice-T is uncredited in the film and only shows up for one transplendent scene, wherein he prances about stage like a young Mick Jagger. The song "Snack Attack," which I can't find anywhere, makes the movie worth it. I don't want to ruin anything for you, but I'll just say this: someone stuffs their face with cake while everyone raps in some sort of food distribution warehouse.
This doesn't exactly fall under our Dance Movie project (because, after all, it isn't called Dancin'), but it kind of does because there was a significant amount of dancing in this movie. Worth watching!
After I watched this, I had no choice but to make it number one on my queue. I mean, if Ice-T says I must see it, who am I to disagree? I don't know if this movie had to happen...it certainly wasn't well made, and doesn't seem to be particularly passionate. I'm so glad I saw it, though. For one thing, the rapping was terrible. It's all very "Rippity rap rap rap raptastic!" Also, the lead actor is Mario Van Peebles, who is in charge of having the least raptastic name ever as well as not doing any actual rapping, because he was overdubbed by Ice-T (according to IMDB). Ice-T is uncredited in the film and only shows up for one transplendent scene, wherein he prances about stage like a young Mick Jagger. The song "Snack Attack," which I can't find anywhere, makes the movie worth it. I don't want to ruin anything for you, but I'll just say this: someone stuffs their face with cake while everyone raps in some sort of food distribution warehouse.
This doesn't exactly fall under our Dance Movie project (because, after all, it isn't called Dancin'), but it kind of does because there was a significant amount of dancing in this movie. Worth watching!
Thursday, August 19, 2010
Here you go.
Even though this blog has fallen into a state of disrepair this summer (example: we used to have two followers and now we only have one. Our readership has decreased by 50% just because of a lack of Alex/any posts at all!), sometimes I see things I just need to post immediately. This Tumblr about Rosanne fashion is one of those things. Yer welcome. Everytime I get upset about what the internet is doing to our lives, something like this comes along and reminds me why it's so important.
Monday, August 16, 2010
Something That Used to Scare Me
If you know me even a little, then you know I have a long, long list of fears, neuroses and anxieties. It's a little comforting to know that even as a child I was irrationally fearful. Take, for example, the one thing that scared me most as a kid (besides tornadoes, fires, rollercoasters and bicycles, that is): the intro to You Can't Do That on Television.
As an adult, I can look at that rationally and see it for what it is: an unashamed Monty Python rip off. But even now just seeing that gives me the nervous jitters. It's a combination of the sickly, washed-out color scheme, the unsettling noises, and the speed of everything. Sometimes at night I would lie awake, just thinking of that guy's terrible face cracking up (I wish I was kidding). When this came on TV, I would run out of the room and go hide in my parents' room behind their bed. Whatever, this is terrifying. Shut your mouth.
As an adult, I can look at that rationally and see it for what it is: an unashamed Monty Python rip off. But even now just seeing that gives me the nervous jitters. It's a combination of the sickly, washed-out color scheme, the unsettling noises, and the speed of everything. Sometimes at night I would lie awake, just thinking of that guy's terrible face cracking up (I wish I was kidding). When this came on TV, I would run out of the room and go hide in my parents' room behind their bed. Whatever, this is terrifying. Shut your mouth.
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