Going the Distance

It's no secret that I love romantic comedies. I'm pretty sure I've started other blog posts with that exact sentence, so it's also no secret that I know it's not a secret. Ever since I saw the trailer for Going the Distance, I knew I had to see it as soon as possible. Rarely do movies come out that are so made for me.

Firstly and most importantly, I LOVE Drew Barrymore. I love everything about her. Mostly I love that, no matter what movie she's in, it seems like she picked out her own wardrobe. Her clothes are so wacky! She dresses like a five year old whose mother is like, "I'm tired, wear what you want" and so she just piles on the sparkle and camo with stripes or whatever.
All of the other things I love about this movie are summed up really well in Owen Gleiberman's EW review, which you can read here if you so wish. I agreed wholeheartedly with the Gleibs (as I do about half the time) when he wrote this:

Going the Distance is a light and tasty morsel of a romantic comedy in which two smart, funny, and basically sweet people try to conduct a cross-country relationship. The movie, which sounds like it was spun out of an advice column, is very high-concept, except that it has a gently authentic tone, a flavor rooted in its affection for the shrewd innocence of the 1980s. For the first 15 minutes or so, I actually wondered if it was set in the '80s....After two love montages set to the Cure's ''Just Like Heaven'' and the Pretenders' ''Don't Get Me Wrong,'' I began to think: Between this feel-good '80s jukebox and the fact that no one in the film has yet sent a text message, which year is this?...As it turns out, Going the Distance is quite contemporary, but the wistful retro vibe is no accident. The director, Nanette Burstein, is...out to take us back to an earlier vibe — to a time when pop music was optimistic, and so were movie romances. Erin and Garrett don't just fall into glorified lust. They fall in love because they like each other's company.

He's right; this is VERY much like an 80's romantic comedy. The montages are so montage-y it's almost laughable (I mean, they are dancing on a beach!), which I really like. If you're going to do a montage, you might as well go whole-hog and just do it up right. There's no such thing as a subtle montage, anyway.
Going the Distance was also a lot more realistic than most romantic comedies, which is both a pro and a con. H did not like that the movie's humor skewed blue (this movie is like 95% made up of dick jokes) because he thought it seemed out of place in what he called a "chick flick." I didn't agree though, and not just because I don't use the term chick flick (barf, sorry). The characters talked to each other basically like real people talk to each other. My friends and I spend about 50% of our time talking about sex and the other 50% talking about our jobs, and I think that's pretty typical, so I found those relationships to be accurately depicted. The relationship between Justin Long and Drew Barrymore's characters was believable, too, and not just because Justin Long's character reminded me so much of H (without all the womanizing).
I loved this movie. It has some of my favorite romantic comedy conventions (including the whole "How can this person have their brilliant career AND the love of their life??" conundrum) while also being genuinely funny and believable. And I can't leave out the importance of Jason Sudekis, Charlie Day, Jim Gaffigan, and Mike Birbiglia, who all took the movie to the next level (the next level being the funnier one).
And MOST importantly, one of Drew Barrymore's New York friends is played by Natalie Morales, the girl who plays Aziz's girlfriend on Parks and Rec. H tried to tell me I was wrong but I knew I was right. Suck on that.