This blog post had to happen.

Netflix's recommendations are a mixed bag. Sometimes they recommend categories that are so right ("Romantic Comedies Starring Goldie Hawn" is specific, but very sculpted to my personal interests!), and sometimes they just do not get me. I mean, no, the fact that I like The Devil and Daniel Johnston does not mean that I will watch a documentary on Anorexia. And I definitely don't want to see Did You Hear About the Morgans. But recently, for the first time, Netflix recommended a movie I'd never even heard of but knew I would love. This trailer pretty much describes the plot, whether or not you should see it, and how necessary the movie is.

After I watched this, I had no choice but to make it number one on my queue. I mean, if Ice-T says I must see it, who am I to disagree? I don't know if this movie had to happen...it certainly wasn't well made, and doesn't seem to be particularly passionate. I'm so glad I saw it, though. For one thing, the rapping was terrible. It's all very "Rippity rap rap rap raptastic!" Also, the lead actor is Mario Van Peebles, who is in charge of having the least raptastic name ever as well as not doing any actual rapping, because he was overdubbed by Ice-T (according to IMDB). Ice-T is uncredited in the film and only shows up for one transplendent scene, wherein he prances about stage like a young Mick Jagger. The song "Snack Attack," which I can't find anywhere, makes the movie worth it. I don't want to ruin anything for you, but I'll just say this: someone stuffs their face with cake while everyone raps in some sort of food distribution warehouse.
This doesn't exactly fall under our Dance Movie project (because, after all, it isn't called Dancin'), but it kind of does because there was a significant amount of dancing in this movie. Worth watching!

Beautiful Ohio

I Netflixed the movie Beautiful Ohio based on nothing more than the name. As I've mentioned before, I love Ohio. Who doesn't? The answer is jerks.
Anyway, as I was doing my usual research, I discovered that we have a state song. If I was a football fan I would know this, but I'm not so I didn't. Apparently the OSU band plays the song Beautiful Ohio all the time. Here's a lovely version that sounds more like Beautiful Hawaii. I really love it.

The Mysteries of Pittsburgh

This will be arriving on Monday via Netflix.

I do not have high hopes, but I will, of course, report back to you no matter how it goes. The Mysteries of Pittsburgh is one of my favorite books. Duh. Everyone who reads it says that. I read it while on Winfrey Family Vacation 2008, right after I graduated from college. What a perfect time to read it! It's not so much that I WANT to watch this movie, but more that I feel compelled, the way I do for most film adaptations of books I love. The general bad vibes around this movie, combined with the lousy reviews and the fact that they apparently chose to combine two central characters, makes me apprehensive. But my love of Peter Sarsgaard is pretty intense, so who knows?

The Muppet Movie

I Netflixed The Muppet Movie because I hadn't seen it since I was a child, and because it is surprisingly hard to find. I had only fond memories, but it still managed to be far funnier than I remembered! The movie was ostensibly made for children, but it wasn't condescending in the least...there wasn't a single fart joke. Not that there's anything wrong with fart jokes, but...you know. Also, Muppets drank wine!
Winfreys enjoyed it, and we all had "Movin' Right Along" stuck in our heads all day. This song really comforts me, and I hope it does the same for you.

No Small Affair

Right now I'm looking for a streamable Netflix movie that isn't depressing, so naturally I'm leaning towards romantic comedies. This isn't quite what I was looking for, yet in other ways it's exactly what I need.

I'm probably not going to watch this tonight, but I like knowing that it exists.

Hannah Takes the Stairs

This weekend H. and I watched Hannah Takes the Stairs, renamed Hannah Who Cares? by Alex. It's yet another entry in the unfortunately-named genre known as mumblecore (ugh, who writes this stuff?). Greta Gerwig plays the titular Hannah, and she's pretty titular if you know what I mean (I'm trying to awkwardly say she is always taking her top off). I was surprised at how much weird, non-necessary nudity was in this movie. Not that I was offended, because who cares, but the movie began with a shower scene and ended with a bathtub scene (I get what you're doing there, Swanberg).
The actual movie itself was really boring, which is hardly a damning critique coming from me. I've been known to enjoy a boring movie in my time, and I enjoyed this one well enough. Mostly I was just frustrated though. A lot of filmmakers are involved in this movie--Andrew Bujalski (weird dude of my dreams), a Duplass Bro., Todd Rohal--but I really can't figure out how so many people could work on a movie with so little going on. The plot is pretty much this: Hannah breaks up with her boyfriend, starts dating another guy, sleeps with his best friend, ends the movie playing the trumpet in a bathtub with said dude. Which is fine. Whatever. Great movies have consisted of less. I guess what turns me off so much is the air of importance that this movie has. Like Hannah's quest for happiness is so noble or unique, when we all know that it's not. Near the end of the film she has this insufferable conversation with one of her coworkers (right before they have sex, natch) where she tells him that she feels bad because she's just "using him" to make herself feel better, but he's a real person with problems and she shouldn't just turn to him for an unburdened good time! Welcome to Things We All Figured Out When We Were Twelve.
And, honestly, I can't get behind any character who would dump not just a Duplass Bro. but Andrew Bujalski (who just can't catch/write himself a break). She's tossing aside independent filmmakers like they're her clothing or something. We should all be so lucky. H. was not at all impressed by Andrew Bujalski, but I've always found him quite charming! I know he's kind of funny looking (and he has very hairy legs, as we find out) but he always comes across as sweetly vulnerable and nice.

I'm just saying. I know which one I'd pick.
There were a lot of things I didn't like about this movie, but I'm glad it exists. It's nice that someone can make a low-budget movie in a month with their friends and then have that movie shown all over the world. More people should do that! I just hope they're, you know, a little more interesting.

Zelig

I done did it: I got a Netflix account. Now I'm wondering why I didn't do this long ago. I've filled my "queue" (I hate that word) with some real gems, like Beyond the Valley of the Dolls (written, of course, by the great Roger Ebert). But my first choice was Zelig by Woody Allen.
It's not the most popular Woody Allen film, likely because it's really weird. It's a mockumentary about Leonard Zelig, a "human chameleon" who finds himself transforming into whoever is near him, be that person obese, handicapped, or an entirely different race. Woody Allen used bluescreen technology to place himself, as Zelig, into historical footage with old movie stars, sports stars, and, in one instance, Hitler. Mia Farrow plays a lady-doctor who takes on Zelig's case and, as is true of most Woody-Mia stories, ends up falling in love.
It's hard to come up with an opinion on this. On the one hand, it's clear that an enormous amount of time went into Zelig. In just the time it took to edit the film, Woody Allen made two OTHER movies (he is nothing if not productive). In addition to the technical aspects, there are multiple songs written about Zelig, as well as interviews with such literary greats as Susan Sontag and Saul Bellow. On the other hand, the movie doesn't really do a lot. I mean, there isn't much of a plot, really, but it's supposed to be a documentary. I laughed a lot, though, and Alex probably would too if he didn't hate Woody Allen so much. That's a shame, because the silly humor is pretty similar to David Wain's.
Here's a clip of some of the famous people interviews at the beginning of Zelig. I'm not sure who posted this video on youtube, but if you read the information on the page it seems like it was posted for a school assignment, possibly for an English as a Second Language film course. What a weird movie to watch for that purpose. And, really, the discussion question ("Do you like Woody Allen movies? Please explain") is a little weak.